Review of Sweeney Todd: The Demon Barber of Fleet Street
Some lucky fans have finally gotten to see a sneak peek of Sweeney Todd! Here’s an excerpt from a review by Steve Biodrowsky over at Cinefantastique.
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Got a sneak peak at SWEENEY TODD on Tuesday, and it is absolutely fantastic - one of the best things Tim Burton has ever directed! The movie is pretty much your dream of what it would be, when you first heard that Burton and Johnny Depp would be turning the Stephen Sondheim musical into a movie: it’s a dark, brooding horror-musical-comedy that hits all the right notes.
Depp casts aside the over-the-top antics of Jack Sparrow for a much more self-contained performance as the Demon Barber of Fleet Street, in which the emotions (primarily a lust for revenge) ooze up to the surface in controlled bursts; without ever blunting the character’s razor-sharp edge, the actor demands that we sympathize and root for Sweeney as he slashes his way through half the throats in London. Alan Rickman is wonderful as the hypocritical Judge Turpin, whose machinations drove Sweeney to madness. Sacha Baron Cohen shines in a small role - you don’t have to be a Borat fan to enjoy his work here. A special mention must go out for Timothy Spall as Beadle Bamford, Turpin’s right-hand man - a perfectly wrought performance of a slimy character who mistakenly believes himself to be slick and smart. Hopefully, the Oscar academy will not overlook him next year even though his role is not of the showy, melodramatic kind that usually draws attention.
If there is a flaw in the movie, it is that the cinematic storytelling occasionally short circuits the musical nature of the source material. The acting performances, through close-up camera angles and cutting, convey the point of some scenes long before the songs wrap up, as when Anthony (Jamie Campbell Bower) first lays eyes on and falls in love with Sweeney’s daughter Johanna (Jayne Wisener), who is kept a virtual prisoner in Turpin’s mansion. Judging from the reaction and comments after the screening, fans of the musical will be pleased that the film is faithful to Sondheim, but SWEENEY TODD might have been even better if it had jettisoned more of the stage version, which on a few occasions feels like dead weight slowing the movie down.
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I don’t know about you, but it’s nice to finally have my impressions of the movie confirmed by someone who has actually seen it! I can hardly wait for December! I’ll share more reviews as I find them.
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Johnny Depp, Depp, Sweeney Todd, Sweeney Todd: The Demon Barber of Fleet Street, Tim Burton, Alan Rickman, Sacha Baron Cohan, Timothy Spall, Cinefantastique
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